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Diversity and Difference in YA

Yesterday at the 2012 World Fantasy Convention, I spoke on the Diversity and Difference in YA Fantasy panel with excellent company from Cheryl Rainfield, Cinda Williams Chima, E.C. Myers, and our moderator Kathy Sullivan. It was great to see how many people came out to hear about and discuss the topic (especially since we were competing with Garth Nix’s reading).

It’s such an important topic, and one I think is on a lot of authors’ minds right now, so I wanted to recap my thoughts and some of the ideas that came up during the panel here.

Necessary disclaimer: I’m hardly an authority on the subject. Being white, straight, able-bodied and relatively able-minded, I know I’m looking at the topic of diversity from a position of privilege. I don’t understand what it’s like not to see yourself represented in the stories you read the same way that someone who’s LGBT or a person of color would. Most of my thoughts on the subject are based on what I’ve heard from authors and readers who do see themselves under- or misrepresented, and I may not always have absorbed what I’ve heard completely accurately.

But I have been seeking out those perspectives, and trying to apply them to my own writing, because I think diversity is important for everyone. It’s important for all readers to find characters who represent their own experiences, and not to feel they’re being ignored, or worse, considered inferior. It’s important for readers to have access to views and stories that take them beyond their own lives in a variety of ways. Why wouldn’t we want our fiction to reflect the diversity and differences that exist in the world? Why would we spend hours pouring over Google maps and image searches to try to get a setting right, but give hardly any thought to making sure the people inhabiting that setting are equally authentic? Even if you balk at the idea of someone telling you that you “should” be inclusive, the fact is it’s also just good writing.

And for a lot of us, adding realistic diversity to our writing is something that takes conscious effort. Unfortunately, at least in North America, our defaults seem to be set on white/male/straight. (You might question the “male” part of that statement for YA, which is known for the predominance of female main characters, but consider in those female-led stories, if you look at all the secondary and more minor characters, what’s the gender split there? I suspect you’d have trouble finding many stories where if you break down all the named characters by gender, there are even an equal number of men and women, let alone more women than men.) I’ve lived all my life in Toronto, where nearly half of the people around me are visible minorities. Where there’s been a huge gay pride celebration every year since shortly after I was born. I’ve had close friends from all different backgrounds. I am a woman. And yet for a long time almost all my major characters were white and straight, and the minor ones tended to be male, too. I still have to watch myself, when I’m writing the bit parts where it’s most easy to get lazy, that I’m not making them mostly white guys.

I see a lot of authors talk about being nervous about writing characters of different racial backgrounds, sexual orientations, or other underrepresented groups, because they’re worried they’ll get it “wrong” and offend people. And I get that, because I worry about those things too. These are some things I find it helpful to remember:

-Those characters are people just as much as any others you write. There is no universal black experience, lesbian experience, person who uses a wheelchair experience. If you flesh out all your characters and avoid making one characteristic the entirety of that character’s “personality,” you’re a lot less likely to end up with a stereotype.

-It’s not hard to find out more about perspectives different from your own these days. Just on the internet, you can find people of pretty much every ethnic background, orientation, and physical/mental make-up in existence sharing their thoughts and experiences. There are also lots of people just in the writing community (as well as elsewhere) who are happy to chat or look at your work if you have concerns and are trying to make sure you’re handling a particular topic or issue with sensitivity.

-The more diversity you include in your stories, the easier it’ll be to avoid offensive portrayals. If you have one character of color, and that character dies halfway through the book or is the main villain or has stereotypical interests, it looks bad. If you have several characters of color, and some survive and some don’t, some are heroic and others villainous, and they span a wide range of interests and personalities, it’s usually clear you’re not making some sort of statement with any particular one of them.

-That said, you have to let your story dictate what sort of diversity is authentic in that context. It makes a lot more sense to see a diverse set of characters in a story that needs to take place in a modern urban setting than a small town, for example, or in certain places in certain parts of history. If you feel like you’re not just recognizing the diversity that would exist and including it in your story, but forcing it in, it’s probably going to feel forced to the reader too–like you’re just adding in tokens rather than making characters who are organic to the story. You just want to watch that you’re giving authenticity it’s due even when it’s not slanted toward your defaults. Small town America might be mostly white, but if your next story is set in, say, Shanghai, it’ll look rather odd unless most of your characters are Chinese.

-Including diverse characters in your stories doesn’t mean you have to make your stories primarily about prejudice or discrimination or related conflicts. In fact, only allowing characters from underrepresented groups to have stories relating to their race or sexual orientation or other “difference,” while better than not representing them at all, is still marginalizing them. There are many stories about white people that have nothing to do with them being white; many stories about straight people that have nothing to do with their heterosexuality. YA fiction will only be truly diverse when LGBT characters and characters of color and so on are defeating evil wizards and falling in love with vampires and leading dystopian rebellions too.

-If you’re worried about writing fully-realized, non-stereotypical characters, you’re a lot less likely to be making awful mistakes than the people who just don’t care. It’s the people who aren’t giving it much thought who mess up the most.

-You probably will make mistakes. I doubt I said everything perfectly during the panel yesterday. I doubt I’ve said everything perfectly in this post. Generally speaking, no one expects you to get it perfect. What they expect is that if they point out to you that you messed up somehow, you accept that criticism and work on doing things better next time. You rarely look like a jerk unless you respond to the criticism with defensiveness and hostility.

And now I am open to any thoughts, experiences, criticism, and otherwise on writing diversity. :)

Originally published at another world, not quite ours - Megan Crewe's blog. You can comment here or there.

Comments

( 4 comments — Leave a comment )
asakiyume
Nov. 5th, 2012 06:22 am (UTC)
Sounds like it was an excellent panel, and you're so right that there are lots of people online today, writing blogs and talking about their experiences, which can help you get an inkling about how people with very different experiences feel and talk about those experiences. It's wondrous, really, how much is out there.
megancrewe
Nov. 5th, 2012 02:27 pm (UTC)
There are many things about the internet that aren't that great, but I think it's amazing how much it connects all of us. I've been exposed to so many ideas and perspectives I might never have been otherwise, and I appreciate that so much.
slwhitman
Nov. 9th, 2012 04:04 pm (UTC)
I think it's also important to remember that many small towns and historical settings in, say, Europe are a lot more ethnically diverse than we tend to think from our history lessons because white men are usually the only significant figures we learn about. I grew up in a small town in IL--2700 people--and we had a small but significant population of Latinos. The next town over of 15,000 people had a significant number of black people. In Europe, depending on what time period in whatever country, you have Romans, who pulled from pretty much every culture from the Middle East and Africa on up, Moors, Roma (who came up from the Pakistan/India area), and so forth, not to mention that even in the UK there were black people at court who were from Africa who weren't slaves, all the way back into Shakespeare's time. So while ethnic diversity in Europe was perhaps rarer than it is now, it still existed and caused friction.

For example, we're actually publishing a book in the spring about a boy in Spain in 1492 who finds out he's half Moorish right after the Moors and Jews are expelled--a boy who thought he was a converso all his life. He has to deal with the Spanish Inquisition and the Malleus Malificareum. Definitely a diverse country in the 1400s, Spain.
megancrewe
Nov. 10th, 2012 04:33 am (UTC)
Very true! That's where doing thorough research, especially with historical fiction, is really important. :)
( 4 comments — Leave a comment )

My Books


Earth & Sky
(Earth & Sky #1, science fiction YA)
Skyscape/Razorbill Canada, 2014


The Clouded Sky
(Earth & Sky #2, science fiction YA)
Skyscape/Razorbill Canada, 2015


A Sky Unbroken
(Earth & Sky #3, science fiction YA)
Skyscape/Razorbill Canada, 2015


The Way We Fall
(Fallen World #1, apocalyptic YA)
Disney-Hyperion, 2012


The Lives We Lost
(Fallen World #2, apocalyptic YA)
Disney-Hyperion, 2013


The Worlds We Make
(Fallen World #3, apocalyptic YA)
Disney-Hyperion, 2014


Those Who Lived: Fallen World Stories
(Fallen World #3.5, apocalyptic YA)
self pubbed, 2014


Give Up the Ghost
(paranormal YA)
Henry Holt, 2009

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